From Grassroots to Global Impact: The Climate Activism Story of Farzana Faruk Jhumu

From Grassroots to Global Impact: The Climate Activism Story of Farzana Faruk Jhumu

Farzana Faruk Jhumu, a passionate Climate Activist hailing from Bangladesh, embodies a remarkable journey of resilience, determination, and unwavering commitment to environmental advocacy. Her foray into climate activism traces back to a pivotal moment in 2018, sparked by a conversation among friends about societal impact and the privilege of making a difference. This catalyzed the inception of “Kaath Pencil,” a heartwarming initiative aimed at spreading joy and knowledge among underprivileged children through educational endeavors. Farzana’s narrative intertwines personal growth with a profound awakening to the urgency of climate action, fueled by encounters with communities bearing the enduring scars of environmental crises like Cyclone Sidr in 2007.

Farzana’s evolution as a climate advocate unfolds against the backdrop of grassroots engagement and global collaborations, notably with initiatives like Fridays for Future MAPA and the Fossil Fuel Non-Proliferation Treaty. Her experiences at COP events, from COP26 to COP28, have honed her insights into the intricacies of climate policy and the imperative for decisive action. Through her role as a UNICEF Youth Advocate, Farzana champions youth empowerment, policy advocacy, and community resilience, embodying a vision of inclusive, impactful climate activism. 

Climate activist Farzana Faruk Jhumu at UNICEF
Photo credit : UNICEF Bangladesh

This interview delves into Jhumu’s remarkable journey, exploring her motivations, the challenges she faces, and the unwavering optimism that keeps her going. It’s a story that will inspire you to take action, no matter how small, and join the fight for a more sustainable future for all.

Can you please share a bit about your journey? How did you get involved in climate activism?

My climate activism journey started in 2018 when some of my younger brother’s friends and a few other friends were randomly discussing how privileged we were and that we should try to do something for society. I was completely on board, so later, we started a group called ‘Kaathpencil’ – our whole idea was ‘to make people happy.’ As we started KaathPencil, we began going to various schools for underprivileged children to provide them with free books. Then, around 6-7 months before COVID hit us, we started a school for children living in slums close to where I live. The school ran smoothly for 3-4 months, but sadly, we had to shut it down when COVID-19 happened.

While I was working on this project, connecting with the children, and figuring out what to teach them beyond the alphabet, I had also been educating myself on the climate crisis. This was especially true after hearing Greta Thunberg’s moving speech in 2018. I remember all those climate strikes and how climate change had become a central topic of discussion. While I was exploring and educating myself, there was one particular case I’ll always remember – a family that lost everything due to Cyclone Sidr in 2007 and had been living in this slum ever since.

Satellite image of Tropical Cyclone Sidr on the Bay of Bengal, November 2007
Tropical Cyclone Sidr on the Bay of Bengal, November 2007 (Source: NASA Earth Observatory)

It was a long time ago, and I was very young at the time, so while I don’t have a lot of deep knowledge about Sidr, I still remember the massive electricity crisis that affected the whole of Bangladesh. We had no electricity in Dhaka for almost a couple of days. When the electricity came back, we only had one TV channel, BTV (Bangladesh Television), so I remember how glued we were to the TV, just listening to the news and wondering what was next. This experience left a significant impact on me.

While I never had to worry about that growing up, when I started talking to these families, specifically this family, it struck me how it had been over 12 years since Sidr and they were still suffering the consequences, even though so much money was raised for relief efforts. Later, I learned about Fridays for Future (FFF) and found out they had a chapter in Bangladesh through social media. I joined them, and upon joining, they asked if I could help maintain communication with the international community, to which I happily agreed.

Climate activist Farzana Faruk Jhumu holding Fridays For Future MAPA placard
Photo credit: Marie Jacquemin/Greenpeace

As I engaged with FFF’s larger chapter, I realized how different and vast their thought process was – they had a lot of knowledge about climate change and all the policies surrounding it. As FFF was growing around that time, we had many discussions on fundamental ideas, and I joined every single call. Being very new, I sometimes didn’t understand a lot of things in the beginning, but I participated anyway – I wanted to learn more and play a role.

Later, by the end of 2019, Fridays for Future started building its ‘Most Affected People and Areas’ (MAPA) chapter. The whole idea was to create a safe space for those in the Global South to discuss how climate change relates to them and how they could come to the forefront of the movement – it was more like a brainstorming session. So, that’s where we started.

Farzana Faruk Jhumu participating in a climate justice protest alongside other youth activist and members of Fridays for Future. Photo: UNICEF
Photo credit: UNICEF

And when Fridays for Future (MAPA) started, as Bangladesh is a vulnerable country, I got the opportunity to engage more. Coincidentally, COVID also hit at the same time. Throughout this entire consistent period, I tried to join every call possible, every meeting possible, reading every document they shared on how they relate with different campaigns, banks, finance, and economy. I tried to read and learn everything through that chat through Fridays for Future. Most of the time in Bangladesh, my responsibility was to communicate the information that was coming from there more to my community. However, Bangladesh was more focused on strikes, volunteerism, and action-based movements. That’s why Bangladesh gave me information on strike goals, agendas, and how to organize strikes. But at the same time, my knowledge was growing. Then in 2021, UNICEF International, reached out to MAPA saying they had a children’s climate risk index and wanted to publish a report with a forward. They needed some activists to write the forward and offer support, and they helped us write it. The four of us writing were Greta Thunberg, myself, Eric Njuguna, and Adriana Calderón. So UNICEF widely publicized it, and all the big news media covered it. After that, while still being a related member, I was volunteering in almost every group possible and every working thing possible. That’s why Fridays for Future, especially the MAPA chapter, became known – Farzana from Bangladesh was doing the work. When that thing started getting highlighted, UNICEF Bangladesh got to know that I existed.

Cover image of the report titled "climate crisis is a child rights crisis" by UNICEF
Source: UNICEF

In 2021, we took a delegation from Fridays for Future – MAPA. Every delegation to COP was a huge task in 2020, so two years later, there was a huge push for youth engagement, and for the first time ever, Fridays for Future participated as a delegation. It was huge, and I was part of that team. We discussed how to reach out to the news media. That’s how I got more involved in international processes like UN processes.

At the same time, kind of funny, when we were supposed to go to Sweden for a four to five-day training program with UNICEF Sweden to learn more about what was going on, we ended up in London for a campaign against Standard Chartered Bank. It was a cleanup campaign because Standard Chartered Bank is a UK-based bank, but they are funding fossil fuels in 12 countries in Asia, and funnily enough, they were one of the best banks in Bangladesh. So they were earning our money, getting our money, and funding fossil fuels. Based on that idea, we did a campaign. But then my visa to Sweden was rejected because, fun fact: they told me that as a young woman who is unemployed, unmarried, and has no children, they think I will not return to Bangladesh if I got my visa. Feeling helpless, I posted it on Twitter, and luckily famous personalities like Greta, Vanessa, and others noticed it and started retweeting it. UNICEF saw it and claimed that I was working with them and that they were sending me. As UNICEF was also working with Sweden, they confirmed that I was going there for them. So, although I initially had to go to Sweden, UNICEF now knew me.

I came back, and UNICEF reached out to me again. They said they wanted to work with me and offered a new youth advocate position. It’s a voluntary position, but they would support me in different areas. I had always been passionate about UNICEF since my childhood from watching the Meena Cartoon, so I was very happy and said yes. That’s how I got involved with UNICEF and then with many other UN processes. 

Meena Cartoon by UNICEF
Meena Cartoon by UNICEF (Source: UNICEF)

You’ve been actively involved in international initiatives like Fridays for Future MAPA and the Fossil Fuel Non-Proliferation Treaty. How do you see these collaborations contributing to global climate action?

Fridays for Future is a movement with a goal to amplify the voices of frontline communities, their ideas, and ensure intersectional justice through climate justice. The Fossil Fuel Non-Proliferation Treaty is an initiative that pushes for a treaty to phase out fossil fuels. These are just a few examples, and I work with many other organizations like 350.org that are all involved in climate action.

Here’s how I see collaboration: Global climate action is a complex idea. Policymakers create policies, but national circumstances are also very important. MAPA, a grassroots movement, focuses on getting that grassroots work done.

When we talk about climate action, it’s crucial to understand that it’s a process. Initiatives like the Fossil Fuel Non-Proliferation Treaty, MAPA, or any others I work with all emphasize the importance of action. For example, in Bangladesh, ‘goat rearing’ was a form of climate adaptation effort for many many days, but without addressing the root cause of climate change, adaptation alone won’t be enough.

The same principle applies across the board. MAPA, the Fossil Fuel Non-Proliferation Treaty, or any other organization – the main thing is to make sure we understand the bigger picture. We need to know that if fossil fuels aren’t phased out, no matter how much adaptation or resilience we build, or how much we discuss loss and damage, nothing will truly work.

Similarly, if we don’t explore the connections between climate justice and issues like child rights and women’s rights, and if we don’t elevate the voices of the Global South, no matter how many initiatives we have, they won’t serve the communities most affected by climate change. Those who contribute the least to the problem are often the ones who suffer the most.

Initiatives like the Fossil Fuel Non-Proliferation Treaty address this with its three pillars: phasing out fossil fuels, ensuring a just transition for workers in the industry, and involving all stakeholders in the decision-making process.

You have participated in three COPs so far, from COP26 to COP28. What have you learned from these three events, and what do you think the next COP29 needs to deliver, from your experienced point of view?

My COP journeys have evolved significantly. At the first COP I attended, the focus was on advocating for more youth inclusion and discussions around climate change’s impact on frontline communities and the most affected people and areas. COP26 was more about following trends, media narratives, and learning how to communicate with a broad audience. Attending side events became a priority to gain a deeper understanding of the COP process itself.

COP27 and COP28, however, were more policy-focused, which aligns with COP’s core purpose. However, a key takeaway across all these COPs is the lack of public awareness about them. It’s become clear that we, the public, have more influence than we might realize. Unfortunately, powerful lobbies and the prevalence of capitalist mindsets make it difficult to have productive discussions. Trust in the process is waning because we haven’t seen enough bold decisions emerge.

Overall, I’ve learned the immense importance of COP policies. They’re not just events, but platforms for crucial decisions that ultimately impact local communities. It’s a two-way process, but COP doesn’t always reflect this. Every word, sentence, and contribution holds significant weight. The political nature of the climate space is undeniable.

Farzana Faruk Jhumu and other youth climate activists at COP27
Photo Credit: Marie Jacquemin

COP29 must deliver more concrete language on fossil fuel phase-out, and just as importantly, the financing required for that phase-out. Without these discussions, achieving the 1.5-degree target is simply impossible. My views, and those of the organizations I work with, are clear: we can’t address climate change without tackling both justice and financing issues. This year, COP29 will be heavily focused on finance, which is a positive step. However, it needs to deliver more concrete results.

The most critical issue for this year’s COP29 is undoubtedly the $100 billion pledge for climate finance. Developed nations committed to providing this amount annually to the most vulnerable countries starting in 2020. However, they haven’t met that goal. This year will bring a report detailing the amount delivered, by whom, and when. With this information, we can move forward and discuss a New Collective Quantified Goal (NCG) for future climate finance.

As a youth advocate for UNICEF Bangladesh, what campaigns or initiatives are you particularly excited about, and how do you see youth driving change in climate action?

As a UNICEF Bangladesh Youth Advocate, my role is twofold. One aspect involves policy pushing, lobbying, and advocating for climate justice and children’s rights. The other involves supporting initiatives and campaigns. UNICEF focuses on child rights and youth inclusion, but overall, as a youth advocate, I work in my field on campaigns and initiatives that I’m passionate about.

The campaign initiative I’m most excited about is capacity building. It’s not a one-day event; it’s an ongoing process to raise awareness and equip people with the knowledge to take action on climate change. I’m incredibly proud of the people working on the ground level who make my policy advocacy work possible. I appreciate and support every initiative people take at the local level. I see change coming through climate action, which has evolved beyond just strikes. People are taking innovative initiatives like vertical windmills – these are the kind of ideas I support.

Capacity building, in this sense, is a continuous process of teaching people how to take action. This action can be individual, local, national, or even involve policy, negotiation, innovation, or environmental research. Every change, big or small, contributes to progress. As a youth advocate, I deeply appreciate seeing people take action. We need to spread awareness about green jobs and how young people are using AI for climate action. These are all campaigns and initiatives I support, with a special interest in policy.

I want more people to understand policies and how to follow them. I don’t expect everyone to be an expert, but I want people to know that climate action isn’t just about planting trees.

Could you please share the story behind KaathPencil and its impact on underprivileged children, particularly in terms of climate education?

Initially, the KaathPencil campaign focused on basic climate education. When COVID hit and offline work became difficult, we launched the ‘Poribesher Proti Projonmo’ (PPP) (meaning ‘Generation for Environment’) campaign. The idea was to share knowledge through simple quizzes to reach our target audience. These quizzes weren’t just about finding the right answer; we used them as a springboard to explain the importance and connections behind climate issues. Then, we launched the ‘Act Now’ campaign, which covered climate change, child rights, and child abuse. We reached out to schools to educate students on these basic topics. We didn’t want to replace teachers, but rather to help students expand their knowledge and develop critical thinking skills. Our goal was to empower them to educate themselves.

The ‘Act Now’ campaign reached a significant number of students last year (around 48 schools in 2023). We’re planning another, more comprehensive campaign around climate change for this year (2024).

Sailing on the “Rainbow Warrior” of Greenpeace must have been incredible. What were the most impactful moments for you during that experience?

I could talk all day about how amazing the journey was! Our goal was to get more youth involved and create a more youth-friendly space within the activist movement. It was performative activism, which is different from my policy work, but that’s natural for activism, and I loved it. The Rainbow Warrior is a symbol of hope, and we wanted to show that young people can contribute in different ways, not just through flying or traditional means. Sailing was significant because it connected to the reality of our sinking island nations.

Fridays for Future youth climate activists Farzana Faruk, 22, from Bangladesh, left, Jakapita Faith Kandanga, 24, from Namibia, second from left, Maria Reyes, 19, from Mexico, second from right, and Edwin Moses Namakanga, 27, from Uganda pose for a photograph aboard the Greenpeace ship Rainbow Warrior Oct. They are sailing to COP26 in Glasgow Scotland.
Photo credit: Suzanne Plunkett / Greenpeace

Everyone took the experience incredibly well. There was a huge strike happening in Glasgow at the same time, and we had volunteers and activists from various places joining us, making our movement feel bigger and stronger. That was a powerful message in itself. It’s hard to pick just one impactful moment, but if I had to, it would be a situation that wasn’t directly related to climate change.

The ship’s captain, a woman, faced resistance from the police who tried to stop the ship from passing under a bridge, claiming it was illegal. We were all on board at night, and the entire ship was wired with microphones, so everyone could hear the exchange. The captain was determined to take the ship under the bridge, even though the police warned it could damage the bridge.

The captain’s courage was inspiring. The Greenpeace crew assured her they would handle any potential damage, but she emphasized her responsibility to give hope to people who were watching. She took a calculated risk, and after successfully passing under the bridge (which was full of journalists covering the event), she explained her actions. She knew her job was to give hope, and she wouldn’t shy away from taking risks to do so. The fact that a woman captain took such a strong stance was incredibly impactful.

This experience connects to the work I do. I need to give people hope and maintain my own. Even when people don’t see the results of my work all the time, I know what I’m doing and why it’s important. That’s why I take calculated steps and risks, just like the captain. There are many challenges ahead, but sailing on the Rainbow Warrior showed the power of collective action, inspired me, and solidified my purpose.

Given the challenges we face, how do you maintain a sense of climate optimism? What advice do you have for others looking to stay hopeful and engaged in the fight against climate change?

For me, hope comes from the community I work with. The climate community is small, but we take care of each other. It’s not just about climate action; it’s about a broader movement for social justice, elections, women’s rights, and children’s rights. This sense of community is crucial because the movement itself can feel capitalist and broken. We face internal and external problems, so having good people to work with is essential.

The second source of my optimism is Bangladesh’s local communities. Bangladesh is a champion of climate adaptation because they have to be. People in the countryside and coastal areas have very little, and they are finding solutions. They inspire me because I have the privilege of things like food, water, and a house. This responsibility motivates me to work for them, as they can’t be activists or policymakers.

If you read stories or visit these communities, you see they don’t lose hope when they have to migrate. They are sad and feel the unfairness, but they remain hopeful. This is fuel for the entire youth movement, not just me. It’s also important to be aware of the many people working on solutions; that knowledge is supportive.

What’s your favorite local food? Does climate change have any impact on it?

I don’t have a specific favorite, but I enjoy Fuchka and Pitha. Climate change likely has a bigger impact on our cultural connection to seasonal foods. Pitha is traditionally eaten during winter, but with climate shifts, we’re losing this seasonal aspect. It’s not a direct impact on the food itself, but on the cultural practices surrounding it.

Tell me about a practice(s) in your culture that’s actually very sustainable and good for the planet.

There are SO MANY things! In Bangladeshi culture, we don’t believe in throwing things away. We use clothes until they’re unusable. This anti-consumerist approach focuses on getting the most out of what we already have. Even when considering eco-friendly options, reusing and repairing what we have is important because making anything requires resources.

Another sustainable practice is our local cuisine. We eat local and seasonal foods throughout the year, which minimizes waste and transportation needs. This approach reflects a long history of living in harmony with nature.

Seasonal vegetables
Photo credit: Eva Bronzini

What would your advice be to someone in the climate movement who feels hopeless and burned out?

I understand burnout – I experience it too. My advice is to know your capacity and who you’re working with. Don’t try to do everything, especially as a Bangladeshi youth. There’s pressure to be involved at every level, but every action counts.

Climate activism can take many forms. You don’t have to be a public figure. Identify your skills and how you can contribute. Whether you’re a doctor offering sustainable food suggestions or an engineer working on renewable energy, your individual actions matter. Start learning, value the people around you, and focus on your specific contribution.

How do you envision your future?

I want to work on policy and potentially be part of the UN system. I see myself representing Bangladesh and working with UN agencies or even government agencies on policies related to climate change and energy security. I’m also pursuing a Master’s degree in energy security and policy to further prepare myself for this path.

Do you have an idol?

Yes, I have several! One is BTS. Their UN speech about inclusion and self-love resonated with me, especially for those feeling hopeless. They support the climate movement and youth issues, and their songs address mental health and social issues. Their lyrics are intelligent and deep, which I appreciate. Their music also helps me when I’m feeling burned out.

BTS
BTS (Source: Wikimedia)

Another idol is Amina J. Mohammed, the UN Deputy Secretary-General. She’s my inspiration – I see myself in a similar position someday. Seeing her navigate complex situations and lead the UN is impressive. She’s a role model for ambitious women.

What do you do for fun? Any hobbies or passions?

For fun, I listen to a lot of music.  I don’t have any specific hobbies, but I enjoy trying new things. I love the experience of exploring and doing different activities. Traveling falls into this category – I don’t get to do it often, but I love it when I can.

If I had to define a passion, I’d say it’s observing people. I do this with great interest. I try to understand them and see things from their perspective. I also enjoy talking to friends and meeting new people.

What’s your mantra for life?

It might sound a bit cliché, but it’s something I came up with when I started climate activism: “I don’t want to die because that’s the only thing I can do. I want to die because that’s the last thing I can do.” The idea is not to die in vain, but to make my life’s journey meaningful. Additionally, I follow the saying, “If you are the smartest person in the room, you are in the wrong room.” I don’t want to be the best in any space; that limits my opportunities to learn. I stay connected to climate activism but also explore other areas to broaden my knowledge.

How can others join you in the climate movement?

That’s a fantastic question! The most important thing to remember is that anyone and everyone can join the climate movement and still be sustainable in their own spaces. This includes engineers, doctors, researchers – anyone. However, the climate movement we’re leading is specifically for those who want to focus their efforts on climate change. Fridays for Future is one example, and 350.org has a huge network within their organization. Women also have their own climate movement. Finding out what someone’s interests are is the key to finding the best way to get involved. Everyone has their own way of joining.

If someone’s interested in climate policy, they can join the Youth Constituency for the UNFCCC (YOUNGO). If they’re interested in following environmental policy, they can join the UN Major Group for Children and Youth. If they want to join Fridays for Future, they can find them on social media – every movement has a social media presence these days. If someone wants to learn about capacity building, they can join their local organization through social media. It’s very easy to find them. Joining a bigger movement is also an option. Fridays for Future has its own website, with details for every country. You can simply search for them.

So, joining the movement is very easy. But even if you’re not technically a member, you can still be part of the climate movement by taking action in your own space. This includes everyone – students, doctors, engineers, policymakers, lawyers, journalists – everyone! 

Click to connect with and find out more about Farzana Faruk Jhumu.

This is part of a series where Green & Beyond Mag explores the stories and takes a peek at the lifestyles of incredible people like green entrepreneurs, innovators, climate advocates, activists, community leaders, and content creators, all around the world, who love the planet and are working tirelessly to make the world a better place.

The Art of Activism: Hannah Tizedes on Turning Trash into Environmental Awareness

The Art of Activism: Hannah Tizedes on Turning Trash into Environmental Awareness

In a world fraught with environmental challenges, the synergy of art and activism has emerged as a potent force for change. Meet Hannah Tizedes, an extraordinary artist and environmental activist. Raised amidst the natural splendor of Michigan and the majestic Great Lakes, Hannah witnessed the disheartening sight of litter washing ashore on these pristine beaches. This experience ignited her passion for environmental conservation.

Hannah’s journey epitomizes the transformative potential of creativity. She embarked on a mission to collect plastic debris from beaches worldwide, fashioning these discarded fragments into captivating works of art. Her art serves a dual purpose: raising awareness about plastic pollution and climate change, and inspiring individuals to take concrete actions for a cleaner, more sustainable planet. In this exclusive interview, Hannah shares her inspirational odyssey, the genesis of The Cleanup Club, and her insights on the intersection of art and environmental advocacy.

Dive into her world, where vibrant creativity converges with climate activism, and discover how Hannah is kindling hope amidst the formidable challenges of our time.

Can you tell us about your journey as an environmental activist and artist? How did you become interested in addressing environmental issues through art?


I was raised by creative and resourceful parents. My mom was always crafting or pit-stopping at garage sales and my dad was always entertaining my elaborate clubhouse buildout ideas or building something functional out of scrap materials. But it wasn’t until later in my life that I came to appreciate those acts for who they made me today.

At university, I paired my creative studies with sustainability studies, worked at the campus recycling center where I was able to explore fun creative projects, and began collecting trash from my travels around the world & the Great Lakes for art pieces I was brainstorming. After learning more about plastic pollution and seeing it from coast to coast, but especially its impact on my home state’s shorelines, I knew I wanted to use my creativity as a vehicle for change. My hope is and was to create art that makes people take a deeper look – literally and figuratively – at the impact plastic pollution has on the planet. I hope people feel inspired to do what they can, with what they have, wherever they are for a less trashy earth.

You have a very unique style of creating your artworks with plastic, and microplastic. Why did you choose this medium?


I’m from Michigan, so I grew up surrounded by the Great Lakes. These lakes hold ~90% of the US’s freshwater, provide drinking water to 40+ million people, offer endless amounts of beauty, and are home to thousands of plants and animals. They’re so special. And yet every year it’s estimated that around 22 million pounds of plastic pollution enters them. At the same time, I have always been captivated by the rainbow of plastic I find on their shorelines. So I created something with those pieces to help tell the story I was witnessing.

Hannah Tizedes collecting ocean plastic to create her artwork with them.
Photo Courtesy – Tianna Samone Creatives


As the founder of The Cleanup Club, could you tell us more about the initiative and its goals? How do you encourage others to get involved in cleaning up their communities and reducing plastic waste?


The Cleanup Club is a nonprofit dedicated to educating communities on Great Lakes plastic pollution while having fun through cleanups, collaborations, conversations & creativity. I think so often people feel overwhelmed with climate news or plastic pollution news, yet they want to help make the world a better place. And I wanted to help make that super simple while building a community of people that care. It doesn’t matter if you’re an engineer, local barista, or school teacher – everyone is welcome to join in. I also do my best in providing uplifting experiences for everyone so instead of walking away from a cleanup thinking “shit, that was a lot of trash, what now?” people can walk away with resources to local zero-waste shops & refillers, with fun sustainable giveaways in hand, and more. That way, their positive impact doesn’t just stop at the cleanup.

What challenges have you faced as an environmental activist and artist? How do you navigate these challenges and stay motivated to continue your work?


I always try to look at the bright side of things. The little actions add up and it’s really incredible to have people tell me that they’re inspired by my work and because of it, they did X, Y, or Z. I’ve definitely hit bumps in the road where I’ve thought, “what is this all for?” or “does my work even matter?” but then I go outside and I’m reminded of my why. The beauty of this amazing planet we get to call home is the best reminder out there and that’s why I continue to advocate to protect it.

How do you believe art can be a powerful tool for raising awareness about environmental issues? What role do you think art can play in inspiring action and driving positive change?


I believe art is an incredibly important tool in raising awareness about environmental issues. Art makes us feel something. Art is powerful. Whether it’s through music, painting, literature, photography, and so on, art has the ability to story-tell so many different narratives when it comes to issues we feel deeply about. I think that inspiration can then be transformed into action and the art can be used as a vehicle for positive change.

How do you think artists can collaborate to make the climate movement stronger and more fruitful?


There are endless possibilities for artists to collaborate and help convey moving messages regarding climate change. I think we’re continuing to see more collaborations around these topics which is wonderful, however, I think we do need to be aware of greenwashing when it comes to brand collaborations and partnerships and stay true to our ‘why’ in this work (aka Earth).


As an artivist, how do you balance the artistic and activist aspects of your work? How do you ensure that your art remains impactful and thought-provoking while also conveying a message of hope and empowerment?


I love making my work colorful. For me, that’s really important because I think colorful things are joyful. I also do my best at providing context behind materials I use to help educate people on things I’m finding on the beach like microplastics, mesoplastics, etc. while providing ways to take action through policy and local advocacy efforts.


What’s your take on climate optimism?


I think optimism in all aspects of life is a wonderful thing. The world we live in nowadays can be filled with so much doom & gloom, so like José Gonzalez, Founder of Latino Outdoors said, we need more “do and bloom” instead.


What would your advice be to someone in the climate movement who feels hopeless and burned out?


The weight of the planet does not need to sit on your shoulders. It is a collective effort towards a better future for all. Whenever you’re feeling down, get outside. Kick off your shoes and go play in nature. Then, find a local organization making a positive impact and get involved. A community can be so healing too – to both ourselves and the planet.


How do you envision your future?


Filled with gratitude and love for the people, places, and spaces I get the opportunity to know, explore, and nourish. I’m less focused on how I want the future to look and more focused on how I want it to feel.


Who are your biggest inspirations?


There are so many but at the end of the day, I love watching people thrive and grow doing what they love. Those are the people who inspire me most, people who follow their passions – and bonus points when it’s an earth-friendly passion, of course.


How can others join you in the climate movement or support your work?


People can feel free to follow my work on Instagram, @hannahtizedes, (where I share the majority of my art & advocacy), and/or follow my nonprofit’s work and learn more about Great Lakes plastic pollution and our efforts to protect them at www.thecleanupclub.org.

This is a part of a series where Green & Beyond Mag explores the stories and takes a peek at the lifestyles of incredible people like green entrepreneurs, innovators, climate advocates, activists, community leaders, and content creators, all around the world, who love the planet, and are working tirelessly to make the world a better place.

Nature’s Harmony: Inanna’s Journey in Singing for the Planet

Nature’s Harmony: Inanna’s Journey in Singing for the Planet

Music is a magical form of art that has the power to touch souls. It has a way of connecting people, beyond language barriers and cultural differences. Music fosters a sense of belonging and community by enabling people to express themselves and engage with others on a deeper level. As we listen to music, we are taken to a world of emotions and feelings that can make us feel alive, bring us peace, or even inspire us to take actions.

And it’s not just people who create music. With its own distinctive sounds and rhythms, nature contributes to this symphony as well. Birds tweeting, leaves rustling in the breeze, and waves crashing on the shore: these natural sounds influence musicians and artists to produce music that captures the splendor and majesty of our planet.

Inanna, also known as Annalisa G. Dunker is one such musician who uses her art to promote environmental sustainability and inspire people to take action for the future of our planet. Through her soulful songs and fascinating videos, Inanna conveys a message of harmony and hope. She believes that music can be a powerful force for change, uniting people to safeguard the environment and build a better future for future generations.

In this exclusive interview, we speak with Inanna about her journey as a musician, her inspiration for writing about environmental issues, and how she envisions her music influencing the world for the better. So sit back, relax, and join us as we delve deeper into the world of Inanna and her music.

What inspired you to use your creativity and imagination in singing for the planet?

I moved here to Los Angeles in the summer of 2018, I knew that at that point I had a clean page that I could start again, in this city with many things that I am passionate about. It was actually very easy, kind of a quick-change, not only of life but of career in general. 

Music-wise, I had done a lot of things before – I had been a singer before in several bands and projects, but I kind of felt I still needed to find my own voice. And this time, I really wanted to do it with something with a deeper meaning with something that I could really stand for.

So the project started because I moved here and I wanted to do something on my own – produce music on my own, find my own sound and my own real voice in the music and I wanted my music to have a specific message. In this case, it was speaking up for the environment and the future of nature, the future of animals and the whole planet. And so I simply decided to dedicate all my music to that. 

I really felt I had to do it because in those times, especially in early 2019 with all the new protests and Greta Thunberg and all the movements that were appearing more and more, everywhere I felt I wanted to do more apart from just changing my daily habits, or do little modifications in my daily life. I really wanted to speak up and to contribute to a cultural change and I thought – “What’s better than to be able to change culture itself? ” And I thought that I would do it through music because it’s one of my skills and one of my passions and that’s how it happened. 

So, I’ve been working on all these songs and all the imagery and products around it since 2019. 2019 was the time when my very first single that came out. It came out in May 2019.

What inspired you to take the name “Inanna” and what does that mean to you?

Inanna is the name of the Sumerian goddess of love and harvest but also war and justice. I thought, the name of a goddess is something timeless that would be good for this project because I want to give a timeless feel to my music. And also, I’m talking about such enormous topics and issues. I’m taking on this task of discussing the future of humans on the planet and the future of nature – the future in general. So I thought that maybe, only the name of a goddess could contain all that.

I think what I loved the most in Inanna is her duality as a goddess figure. I felt it really fit with this project because on one hand with this music, I’m trying to invite people into a possible world where things are done better, where we reach a higher place, a better place in our relationship with animals and nature. But on the other hand there is witnessing and acknowledging everything that is happening and everything that we’ve done. 

So there is this dual thing of the need for love and togetherness and connection and work all together but also the rage and the sadness for everything that unfortunately humans have done to the planet and animals. So I really thought it was a perfect match. I also liked that the name contained part of my birth name, which is Annalisa and this “Inanna” had a little bit of a part of me too, so I feel that Inanna is kind of an amplified version of myself.

Do you think art – different forms of art, can play a significant role to motivate people to take actions in their daily lives, especially now, when the climate crisis is getting worse with every passing day? 

I think that all art forms and music in particular, play an enormous role in cultural and social change. Arts have an incredible power to bring people together to inspire collectivity. They have the power to speak to conscious and unconscious layers of ourselves. And that’s why in many people at many times and all points in time, they have the capacity to create these moments inside a person where you understand something in a much deeper way, in a way that only a piece of art can make you see or understand. So, I have a deep respect for all artists who are using their skills and their capacities and their tools to speak up for the things that we should definitely change, revise, redefine.

Another factor that is very important when it comes to Arts is their kind of ritualistic power, specially with music. Not only they bring a group of people together but all the people get to feel something together at the same time and even if it’s different, maybe from person to person but there is something in common, like a common ritual and I love ritualistic events because I always say – “Rituals are made to get one person into the ritual as a person and then when they go out of the ritual, they actually go out as someone else because the ritual actually does something to you”. And I feel that is exactly what I’m trying to do with my music and I feel that’s what the Arts should do, to really make you feel different after you experience that piece of art.

How can artists collaborate to make the climate movement stronger and more fruitful?

Artists can collaborate in so many different ways. I have seen it lately especially from the very beginning of this second big wave of the environmentalist movement that is growing and growing – I have seen so many organizations, associations, platforms, digital platforms and artistic endeavors being born in the last three and a half years. At the beginning of 2019, I thought I was maybe one of the only ones that were doing this – as a musician. But I’ve seen so many things happening since then and artists can definitely find so many ways to collaborate in events where they can do things together, support each other, uplift each other, help each other. 

So, what I do personally is really try to stimulate and give a further impulse to gatherings like, really doing things together, whether it is an event where we talked or there is an artistic community coming together for a concert, or maybe I’ve been getting in touch with a lot of other organizations to see if we can do something together. I think, especially in these times, uplifting each other and togetherness is one of the most important things we can do. We should not see each other as competing artists or competing organizations. Because we’re really talking about the future of everything, the future of our soul. And if there’s something that we all have in common is this home, this planet and we must take care of it together.

So what I definitely recommend to all artists, entrepreneurs who are speaking up for the future of the planet and working for the future of the planet – “Get in touch to try to do things together. You’re not alone. There are so many other people doing the same and together, you’re stronger together. Together is much better.”

What do you think are needed as ingredients of a song that can create that can inspire change?

I don’t want to talk about the ingredients to make a perfect commercial song, that works for sure in a radio context or in a TV show context. To me, what really matters is speaking to two different levels in a person. Like if you have a catchy song, that’s great because it’s already the first element that will get to someone, but if that song already has a message that’s even better. And from that message, if you have different layers that will touch and communicate to different people – that’s even better. I think it’s about making it really broad and generous.

I think with the meaning you really want to try to communicate something from who you are from an authentic place. I always try to write from who I am and what I really think. I never write thinking – “Oh what is going to make people feel good or what is going to sell?” I always try to be as authentic as possible and I think that’s the best ingredient that you can put in any piece of art, for sure.

Polluters have surely lost the empathetic connection with nature, and we believe that your songs have the power to mend that connection which might make them take a stand on the right side. How do you plan to get your music to reach them?

As I was saying, the way I am trying to reach people wherever they are in life and wherever they are in the world and whatever historical experiences they have is to try to meet them where they are and to simply invite them to another view, another way of seeing things, I really think it’s important not to impose certain views.

Because we don’t know where other people come from and their past experiences and their life history. So I think one element is to be able to invite someone into something you deeply believe, as you know, your life mission and you think it’s really important for everyone. And for the future is to try to invite with generosity and invite with a smile and always try to make people try to feel what you feel like.

I really want to gather people around me, through a sense of understanding and empathy. I don’t want to blame even if I know it’s hard because we get very angry sometimes, especially environmentalists or animalists, we always think – “Oh my goodness, this is never gonna get fixed. How can some people do this? And they don’t see it.” Of course, I have those moments too and we all have, but I don’t think it’s the most effective way to invite people to what we consider the right side. I think you always have to meet people where they are and understand the enormous complexity of certain systems.

So, I think that it should always start from a place of compassion and empathy, you should always try to meet everyone where they are at, even if you know, that certain people or organizations are actively working against the future of nature and everything, we know of this planet, but the reality is so incredibly complex that the best way we have, probably, the only way we have is to try to invite always through compassion and understanding.

What’s your take on climate optimism as an artist and an activist?

I have to say that it gets very hard at times to be optimistic. Because even if I am constantly surrounded by incredible communities of environmentalists and animal rights activists that make me feel that everything is possible – that we are changing the world conversation by conversation, little by little, song by song, but at the same time you also see the tendencies and what’s going on in the world every day, it’s tough to see that a lot of things are not changing at all. But I always tell myself, – “Should I just give up because I don’t see the change that I want to see? And in the time frame that I want to see it?”

I know what I stand for and I know what I believe in. I am dreaming of a future where nature is always considered in every decision of society and economy. I’m dreaming of a society where animals are not exploited anymore, and are not mistreated anymore. And it’s a society that I acknowledge. I don’t acknowledge animals as other beings that live here on Earth with us and not for our own benefit for us.

So, I’ll just keep working for that, and I know that, even if the changes are not as fast as I would like them to be, changes are definitely happening. And that’s what keeps me optimistic. Because I see that change happening around me every day, even in the arts.

Where do you think “spirituality” stands with art and activism? Do you think that understanding “spirituality” is important to feel more environmentally empathetic?

Yeah, definitely. There is a kind of spiritual element in my songs. To me, it translates into something very simple, which is a feeling of reverence. To me that’s what spirituality is in general. It’s this feeling of reverence towards everything that is alive towards the beauty, amazing, incredible wonders, that this planet has, this incredible biodiversity of all animals, all earthlings. The feeling of reverence when you really see that and take that in is automatically spiritual to me. And that’s the feeling of rediscovered awe, that I would like to transmit through my songs and through the imagery and everything that I’m trying to do. So I guess it’s just that big feeling of awe and reverence towards the Earth and all Earthlings.

Tell us about your favorite song and why it’s your favorite.

It’s difficult because I’m very attached to several of the songs, of course, on different levels, and for different reasons. But I think that if I had to choose one, I think I would still choose “Change” which came out last year for Earth Day. 

I think mostly because it’s the one that probably sums up the whole Inanna style among all the other songs. Because it’s got a powerful message, it’s got a little bit of the rage, it’s got a hopeful message of togetherness and coming together for something, it’s got a little bit of Middle Eastern hint – which is something that I do. I feel it’s a song that really summarizes a lot of what Inanna is. So I think I would still pick that one. Yeah, it’s definitely “Change.”

Who are your biggest inspirations?

People that have inspired me and that keep inspiring me – I have to say, one of the first ones that really made an impact was Charlie Chaplin and it all started because of my grandfather who was very passionate about him and all his movies. This may have got nothing to do with the environmental movement but I loved the fact that he had such a clear vision for everything that he did. His movies and everything was almost made by him single-handedly. I simply admire that all his art was really his fruit, like his product from top to toe because it was really coming from an authentic place of who he was and what he believed in. 

Other inspirational figures, definitely all the current environmentalists that are doing so much for the planet. I always loved Jane Goodall – absolutely a hero of mine. I really admire what Leonardo DiCaprio is doing. I really hope to meet him at some point. I really admire all the work he’s doing and all the documentaries that he is funding. 

Knowledge is power – when we know, when we’re aware of things, we can choose better, we can do better. So every artist that really takes time and spends resources in spreading knowledge, I have a very, very big admiration for them.

Another person I really admire that I have had the honor to meet lately is Maggie Baird. She’s the founder and president of “Support and Feed” an organization that I love. Maggie is Billie Eilish’s mother. She’s been working so hard to promote the plant-based equitable food system. And I really hope her organization will grow more and more because it’s really fantastic what they’re doing.

What’s your mantra for life?

I don’t know if it’s actually a mantra for life but I love to sign my newsletters and my messages to my fans and people that know the Inanna project with this little sentence –  “A hand is a paw is a fin is a wing. – Inanna.”

Find Inanna and learn more about her at www.inannamusic.com

This is a part of a series where Green & Beyond explores the stories and takes a peek at the lifestyles of incredible people like green entrepreneurs, innovators, climate advocates, activists, community leaders, and content creators, all around the world, who love the planet, and are working tirelessly to make the world a better place.

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